THE MIMETIKS

as if in prescient preparation for this day, sunday’s show was a stripped down duo-fest. because luke had a gig elsewhere Kyle and I showed up at Saje on the nineteenth of august with little to do. we started out, infact, thinking it wouldn’t be worth recording the show. off-handedly jaster suggested to me we do some jazzy stuff. little did he know: i was still in jazz-mode full-tilt because of gigs on friday and saturday night. i brought in the music stand and the leadsheets and even some “obscure” lyrics for the fun of things.

well the first set went so well, that we decided to break and try to jimmy something up so that we could record. apparently some cords were missing. and, the rest is probably best categorized under: music for apartments - acoustic.

it had been my wish to simply post the entirety of the two sets we did manage to record from sunday. but when i thought about it, i realized that might be a hell of a lot of material to listen to. to write about, etc, etc. so we’ll hold on to it for later occasions. (it’ll come in handy, i’m sure…)

so highlights, anyone?

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sundaykindoflove
this one was just so necessary. i don’t see how we could have not played this tune. i found the leadsheet giving us the somewhat confusing bridge and we launched into it. one of the best compliments you can receive for such a gambit is that it “looked” like we were reading it, but people weren’t sure… because it sounded like something we’d played before. well, we have and we haven’t. so i hope this serves as a hint to the kind vibe that afternoon.

lately
i recently learned this one for a gig at the Monticello casino in Liberty, NY. its one of Stevie’s greatest ballads. why i haven’t just sat down and learned the entire Wonder catalogue… well i don’t know. listen for the super-ECM-like-piano-solo… very period. like played by a white guy in a dashiki and in the 70s. (don’t think i don’t work on odd shit like that)

valentinesday medley
its just a favorite. we’ve been doing this one since the last october, when we figured out the arrangement during a weeklong journey to maine and back again. (see entry the shipMimetik)

bodyandsoul
Osamu is the sunday morning chef at Saje. and a solid jazz guitarist in his own right. during the first set break he said noticed we were going for the jazzier side of things. he asked if we did Body and Soul. to be honest, i don’t think i’ve ever sung the song. but i have accompanied people on it dozens of times, and i love to call it at jam sessions. i happened to have the lyrics handy… so we did it.
… and the food was excellent.

listenatall
during the course of the afternoon we did generate some new original material. to keep things on the up and up, we figured it might be nice to have originals in the mix. don’t want to just become a lounge band. or a soul cover duo. so listenatall. remember this one, anyone? bittergarden? bembe? ah well, whatever.

a bit of melancholy, for those of you who are willing to listen.

emma’s theme (9)

Q (& A)

music. there’s little else to say. i could tell the story of my laying on the couch on my back to sing three separate takes of vocals for puddle no. 2 or slovenly way i tried to play guitar on the very first, scratch take of second story window. more about the number of bass tracks we went through, or how many times we hit a fucking wall and wrote these songs off as crap. instead: music. rough music.

mind the mixes. they’re… a doozy.

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no. 29what is this song about? i guess we tried to write a love song again. never seems to work out that way. the last love song we tried to write became whitespace.

(from a) second story window

a song about complex storm patterns. what else?

- akie

here’s a quick odd sort of post. someting about the creative process or some such bullshit. we’ve been over it a couple of times since we opted out of the session for greener pastures 4 or 5 hours ago. as far as i can tell, kyle and i have been writing the shittiest music of our lives everytime we open protools:

how’s everything

then hours later — its good. so the title is probably as apropos for the song as for the situation. its tuesday but we’re posting something new for consumption. and how are you? mind you — we quit on this one early so there’s no drums yet, no actual fucking lyrics, and no real structure whatsoever. just organ, bass, guitar and some frustrated humming from yours truly about how fucking lame i felt at the time.

so enjoy this — well — shit.

akie

another month of sundays has gone by.  as always, we have been working furtively (under the cover of night) to produce new music for anyone who cares to dig it and listen.  The writing process has been a little hampered by work and gigs and bills and life — but, like all things essential, its goes on.  through sleepless nights and endless car rides, though it rains, though it shines:  we bring you music.

the measure 

this week’s post is a single track.  a single track made, ostensibly, in a single day.  for sometime we’ve been pushing around the idea of writing music with a purpose or intention.  something kyle said we should call music for an apartment.  so we took all our shit, put it in my van, brought it to kyle’s place, set it up, and started recording.  the result was “the measure.”  while it is a departure from the straight acoustic sound, its all coming from the same place.  the acoustic thing is definitely still going on (we’re bringing it to Colby College on the 27th of October) but music for an apartment is more about what we can do with some of the instruments we have laying around the house as well as the usual stuff.  there’s more of this coming, many ideas in the working, and with any luck a complete statement before year’s end.  if you do dig it, let us know, or let SOMEBODY know.  send this shit around.  give it as a gift.  be a jerk — keep it for yourself.  play it in your apartment.  i mean, that’s what its for.

that’s it for this sunday, ya’ll.  word and peace.

 akie

(promising to be the first of many sunday night updates)

The days have not been altogether kind to us. Nor have they been completely unkind. But whether it bring joy or whether it bring pain — we are bringing you music. Since that first spurt of productivity we’ve been hitting the stacks to find some standards to rework and workshopping some new material. this blog represents that work in progress. there are three new joints to check out.

alchemy-1 and alchemy-6: kyle suggested a look at those changes at the beginning of “corcovado.” we jammed on it one night and came up with some workable ideas. it seemed appropriate as the first tune we listened to together (during those unbearable days of August 2001 in the unair-conditioned rooms of Tewksbury at Bard College) and broke down. i took them back to the fender rhodes to work them out until a lyrical idea came through. Once we had that, we took it to the rig and tried it in like seven consecutive takes. it came out as an original called alchemy. the first take — we hadn’t decided on the form or the length (or the lyrics to anything after the first two lines, really) but it cohered in the taping and it made sense. the intervening takes were all about structure. We finished up with the closest thing to a final track we could come up with in a 2-room street level flat in bedstuy. that is: alchemy-6.

some time later we finished recording alchemy and bunch of other projects (that we’ll post as soon as they are ready) and just kept playing (and recording). the result was yesterday’s-boy.

that’s it tonight. sunday is officially over. so is the update. enjoy the music.